Habitat

Sarah Williams Goldhagen explains why some places make us feel more alive—and others leave us feeling diminished. Image via AIA New York
Sarah Williams Goldhagen has spent much of her career writing about architecture. But over time she found herself asking a different question. Instead of asking whether a building is beautiful, she began asking what it does to and for the people who inhabit it.
Drawing on discoveries in neuroscience, cognitive psychology, and environmental design, Welcome to Your World makes a clear case that our surroundings shape our attention, memory, emotions, health, and relationships.
She puts words to something I’ve known for a long time but never fully understood. Being in or near a great building makes me feel better. More alert. More alive. Crappy buildings—and it’s depressing to recognize how many of America’s recent buildings are crap—make me feel crappy.
Goldhagen explains why. Buildings are not passive backdrops to human life. We’re constantly reading them, responding to them, adjusting to them, usually without realizing it. The height of a ceiling, the presence of daylight, the texture of materials, the rhythm of a street, the distance between buildings, the glimpse of a tree through a window—it all registers.
Some places make us tense. Some make us curious. Some help us concentrate. Some make us want to stay. Others make us want to leave as quickly as possible.
We tend to talk about architecture as though it were mostly a matter of taste. Modern or traditional. Beautiful or ugly. Goldhagen says that’s the wrong conversation. What matters is not style but experience—how a place shapes the way we think, feel, and move through the world.
I know I have a visceral reaction to the simplicity of Shaker design or Danish Modern. Goldhagen isn’t interested in arguing that one architectural style is inherently better than another. A Gothic cathedral, a Japanese teahouse, a modern library, or a centuries-old farmhouse can all succeed. The question is simpler: What does this place do to the people inside it?
She is especially interested in places that reward exploration, invite curiosity, and reveal themselves gradually rather than all at once. Drawing on neuroscience, she explains that our brains are constantly predicting and responding to the spaces around us. Places with richness, variation, and coherence keep us engaged. Monotonous, repetitive environments gradually numb us.
That matters because most of us spend nearly all of our lives inside buildings and cities someone else designed. Schools shape the experience of learning. Hospitals shape the experience of healing. Offices shape the experience of working together. Streets and public spaces shape whether we encounter one another or avoid one another. Homes shape family life.
Most of this influence is invisible. We feel it, but we rarely have the language to describe it. That’s what makes Welcome to Your World so valuable. Once Goldhagen points it out, it becomes almost impossible not to notice.
A window is no longer just a window. A hallway is no longer just a way to get from one room to another. A bench, a ceiling, a patch of shade, a stairway, a front porch, a blank wall facing the street—each is doing something to the people who encounter it.
The question is whether anyone bothered to ask what.
BOOK: Welcome to Your World. How the Built Environment Shapes Our Lives